Conducting Tips

As a conductor, you have one of the most creative handcrafts in the world that you make with your hands! They evoke, shape and inspire their behaviour. Have you ever asked for a drummer to save time for your ensemble? Many drivers are the visual equivalent of our drummer. If you choose the latter, imagine your direction as an artistic catalyst for inspired musical creation. Next, I gave some tips that could be used in administration.

1.      Conduct the Music
Do only what is not more or less in music. There is much more music than the demarcation of the meter. Successes in time usually lead to transitions. Even beautiful gestures, if they are not necessary for music, should not be present in the direction. Look for techniques, clinics, or educational materials to help you get out of the sample box.

2.      Display the Information
Imagine the colour that flows from the tip of your wand to your imaginary canvas. It flows smoothly through legato passages, producing impressions in normal joints and points in staccato passages. The pulse should not be at your elbow. Preparatory vaccines should not be administered with the head.

3.      Use smallest Job Tool
Use the smallest hinge suitable for the task: finger, wrist, elbow, shoulder, body. With a standard 15-inch bar, you can follow a 15-inch arc from horizontal to vertical using only the wrist hinge. Add your elbow hinge to follow 24-30 inches, more than enough for most musical situations. By using the smallest musical quality hinge, you avoid bridges, patting, and large patterns.

4.      Address your Ensemble
Leaders often allow the club to point to the left side of the set. Hold the stick comfortably in your hand. Relax your fingers and wrists with enough tension to maintain control of the staff. The stick is an extension of your forearm. You should not make a significant angle to the left.



5.      Stay Grounded
Never try to go up on your toes, always try by keeping flat feet on the stairs. It often happened when you make a video of yourself from the side.

6.      Release your Left Hand

A movement with left hand illustrates his intention to let go. The movements of the right hand can be interpreted as a clue to play the next note. When triggers occur at the end of sections, movements or compositions without other notes, the right-hand releases are perfectly acceptable.

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